Bertold Brecht med kompositören Hanns Eisler, 1950.
För en tid sedan skrev jag och Ebba Petrén en text om vår process med att bearbeta ett av Brecht lärostycken till någon sorts avatarsituation. Nyligen var vi i Brasilien och testade materialet med diverse Brecht-kännare, akademiker såväl som regissörer och skådespelare. Det peppade oss att publicera texten. Antagligen kommer ännu mer reflektioner och dokumentation med tiden. Skriver en rapport till Konstnärsnämden från besöket på INTERNATIONAL BRECHT SOCIETY SYMPOSIUM.
Tills vidare, håll till godo med Brechts Die Maßnahme som avatarstycke på Nyxxx.
I’m happy to share this short scenario with you. It was written by me and Ebba Petrén at PAF last summer. You can play it with two people or in front of a smaller audience. The participants should not listen to the track on beforehand.
• 2 voluntary participants.
• A pair of headphones with the Mp3-file.
• A table
• 2 chairs
• 2 windows that can be opened, it’s nice but not necessary if there is a view.
Take it off
To begin, one of the two players starts the mp3-track and put the headphones on. The other player start by observing the avatar. Both players starts standing up. When you put on the headphones you are the avatar, follow the instructions and take no other initiatives. When you don’t wear headphones you try to communicate with the avatar by responding to it as if you are having a chat with that person for the first time.
The avatar asks something demanding, something the human finds hard and personal to answer. The avatar says “You will have the opporutnity to be an avatar. And I will become human. When I raise my hand you can take my headphones and become the avatar”. It raises the hand. The new avatar comes out, “the avatar of a human spirit”, and opens a window saluting the fresh air. Next avatar is “the avatar of the real” trying to jump out of the window. Human has to stop it. More avatars follow, with other agendas.
“It’s like having a child or a pet in your room when you’re trying to work. You have to take notice and care for it. And it will for sure use its voice to communicate!”
We’ve presented this scenario at PAF Performing arts forum in St Erme, 2012, at the 14th Symposium of the International Brecht Society in Porto Alegre, 2013 and at Scenkonstbiennalen in Jönköping, 2013. We are looking forward to hear where it will be played next and how you experience it!
Video from a session at a room in Master Express Grande Hotel, Porto Alegre, May 2013. On screen: Ester Claesson and John Hanse. Spoiler warning!